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Pine Overlay Whisky Glass

$182.00

Pine Overlay is cut for layered color with wave and lattice in one wall. Color sits in the upper body. A warmer tone gathers at the foot. Where the cutter opens the face, clear crystal takes over so the pour stays readable.

Asa-no-ha, a hemp-leaf star lattice, fills triangular panels under the rim. Concentric wave and cloud cuts cross the mid-body. Wide vertical facets finish the amber-toned base. From above, the floor reads as a radial star.

Handmade Edo Kiriko crystal, hand-cut in Tokyo. Use it for Japanese whisky, soda on the rocks, or water.

Details

Capacity	201-300ml
Material	Crystal
Craft	Edo Kiriko
Pattern	Asa-no-ha
Color	Pine

In stock

Free worldwide shipping.

Duties and destination tax are included in the listed price where the market requires it.

Safely encased in protective packaging

30-day returns on unused items in original packaging. Help & FAQ · Shipping & returns

To maintain the beauty and integrity of your purchase, we recommend treating it with care. Simple maintenance practices, such as gentle washing and proper storage, can effectively preserve the longevity of your favorites. We encourage you to refer to the care instructions included with each item, designed to help you keep your purchase in top condition.

Free worldwide shipping. Timing appears at checkout for your destination. Duties and destination tax are included in the listed price where the market requires it.

Damaged in transit: write to hello@edo1834.com with your order number and photos.

30-day returns on unused items in original packaging. Details: Shipping & returns · Help & FAQ.

Crafting Of Edo Kiriko

Design

A framework of simple grid lines is marked onto the glass to guide the composition. Using a bamboo stick or brush with red iron oxide, the artisan draws these guidelines directly on the surface. Fine baselines are then carefully scored with a whetstone. From these precise marks, the intricate patterns characteristic of Edo kiriko emerge, each cut reflecting years of accumulated skill and artistic mastery.

First cuts

The base takes shape at roughly three-quarters of its ultimate width and depth through cutting. A high-speed rotating disc coated in sand paste, typically emery powder suspended in abrasive medium, scores the glass surface. Pattern borders and irregular motifs emerge incrementally, each line refined with precision. The interplay of cut depth and thickness depends entirely on the artisan's accumulated skill; no blueprints guide this work.

Adjustments

In the final cutting stage, a whetstone disc, natural or artificial,refines the patterns established earlier and polishes the surface to clarity. Where the metal disc reaches its limit, the whetstone creates the delicate details that complete the design. Precision is essential: every trace of powder must be removed and the finish brought to its full brilliance.

Polishing

The polishing stage—the final step in production—restores the glass to transparency after cutting, revealing the characteristic luminosity and brilliance of Edo kiriko. Soda-lime glass, the most common substrate, undergoes this transformation, while high-class crystal receives additional chemical refinement through hydrofluoric acid treatment. The process employs a range of specialized discs: paulownia and willow wood, hair brush, and belt varieties, each suited to different sections of the piece. Water and polishing compounds are worked across the surface to achieve a glittering finish, with delicate areas refined by cloth or brush. A final buffing with cloth disc completes the work, drawing out the full radiance and depth characteristic of cut glass.

Pine Overlay Whisky Glass

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